Skip to main content

Visual Narration

R0016084 (Medium) ^Streetscape: A man and his all-important Mercedes

This is the second post about the great minds on B&W photography. Today, we are looking at the ideas of Ansel Adams (1902 - 1984).

Adams was a prolific B&W photographer best known for his exceptional skills and authority on scenery of the Western United States. Through his visual interpretation of the wasteland, people have rediscovered the beauty of the landscape and the importance of nature conservation.

What is behind his landscape works is his credo in photography. He believed that great photographers were people who could reproduce his or her personal feelings about an object in its entirety, in depth and precision. These feelings, to him, were the essential, personal tastes of life. To visually reveal such tastes, the photographers are required to give devotion to his photographic gears and most lucid, perfect narration to his works.

R0016025 (Medium) ^The Commuter: The Zone System may apply here. But the movable AE cursor of my GX200 makes exposure in difficult situtaions easier and me lazier

In this connection, Adams had inherited the concept of straight photography and invented the Zone System. While the Zone System may be less useful to digital cameras whereby the LCD screens and the flexible metering facilitate all kinds of instantaneous tricks, it is worthy of study for doing B&W works. At least, a study in the Zone System will improve our intuition in metering a scene.

Also, the ideas of Adams and straight photography are what we can ponder on and learn from his examples. Of course, we are not masters (yet) and have to start from the basics. So, whereas straight photography calls for no qualities of technique and composition, the masters were successfully in so doing because they knew well enough how to do with and then without.

That is all for today. Let's carry on this B&W topic tomorrow.

Comments

Chuck A said…
Nevin,

Elegantly said and I really enjoy these photos. Especially the second one. It is quite powerful.

Thanks,
Chuck
www.pbase.com/candrask
(Message reproduced from original)
Nevin said…
Thank you for the kind words and the visit, Chuck. Glad that you enjoy the post. You've great photos on your site too.

Nevin

Popular posts from this blog

New Low Prices

The window shopping some hours ago has almost provoked my AgIDS illness.  Just in case you’re in Hong Kong or are coming here, and have the money to burn (All in HK$/ body only): GX200 = $3,280 GRD2 = $3,380 LX3 = $3,180 G10 = $3,280 Prices are available form a gear shop on the 1st floor of the Mongkok Computer Centre.   Besides these new low prices, I found that Wing Shing Photo (55-57Sai Yeung Choi St., MK Tel: 2396 6886/ 91-95 Fa Yuen St., MK  Tel: 2396 6885) is offering a Sony A700 + Carl Zeiss Lens package for HK$9,980 (hopefully, a bargain will make it some hundreds cheaper).

Ricoh Camera Giveaways and the New GRD Bet

The recent months have seen Ricoh’s heavy-handed promotional efforts.  Apart from the photo contest in collaboration with Greenpeace concluded some weeks ago in Hong Kong, there are three more chances for aspiring photographers to get free Ricoh cameras.  There are lots of Ricoh's cameras to be given away. (A poster about the photo contest co-organised by Ricoh, Greenpeace and Jurlique for Hong Kong only, which was concluded in May.  Winners are to be awarded with airtickets plus hotel accommodation, several fully-geared GX200 and CX1 cameras) Ninth Ricoh Photo Contest The first one is open to contestants from around the world, namely, the Ninth Ricoh Photo Contest to close on 21 August 2009.  The theme of the contest is easy on the surface, but actually requires some effort to ponder on and express in the final image. The prizes are: Main Award: GR DIGITAL II + optional lenses and accessories (one person) Special Award: GR DIGITAL II (5 person...

Eye Contact

(Leica D-lux 5) The digital era may make it easier to end up with fave shots. Even lousy photos may be turned likable after a few clicks in the post-processing workflow. But if digital advancement or amendments have any bearing on the cultivation of personal style, no photographers will need to discover his or her own photographer’s eye. Undoutedly, this is out of the question. Only with a trained photographer’s eye can we give a thinking gaze and capture an eternal moment, in our unique style. Style is the soul of a great photo. A few posts have been written in GXG to touch on the topic of photographer’s eye. Instead of finding an answer, which would require academic discussions, the posts are intended to give my general reflections and spark interests in moving towards further exploration of the topic.  The posts can be viewed after the links: 1) Photographer's Eye: Storytelling 2) Photographer's Eye: Little Show of Observing 3) Photographer's Eye: Sight-Worthy 4...