(Camera: Ricoh GX200) Whether this is a strong arm hinges on one's perception. To the author, this is a strong arm which, with the man and his body shape, remains the author of his once youthful father from the eye of the small boy then. The slightly blurred image rightly reflects the distant memory the scene recalled in the author's mind. All these perceptions are enough to make the arm and the man subjects. It is our perception that spurs us to or stop us from using certain subjects. When the perception bestows on us good feelings about a particular thing or scene, it moves us to press the shutter; or, on the contrary, not. So, in effect, we can make everything a subject in an image while refraining from using some. This is all right. There is no right or wrong about our perceptions. There is only the task to transcend it. Since perceptions never criticise, the task will not be an easy one because we seldom objectively notice if we have transcended and to what extent. ...