Skip to main content

Simplistic

R0016090 (Medium)
^Giggling youngsters on the platform at an underground station

In this first post to peek into the great minds on B&W photography, we look at the ideas of Eugene Atget (1857-1927).

Eugene was a pioneer in the art of photography. For 30 years since the late 19 century, he had used a 18 x 24 cm format camera to record the vanishing Parisian history from the late 19 to early 20 centuries. His objects ranged from historical buildings, old streets, shop windows, signboards to gardens. What is special about his works is the lucid viewpoints.

R0016091 (Medium)
^The flow of communters gushed out of the cars at the most bustling underground station, Mong Kok. The four Chinese characters on the exit sign reads, "To Concourse Direct". But the Chinese character for "concourse" is just a stroke short from the character "paradise". It has been read by the naughty minded as "To Paradise Only" -- shopping paradise maybe

The photographer's viewpoints in his images are plain. He expressed the beauty of his objects in an intrinsic, low-profile way, giving a quality of visual pureness to the images.

Eugene's huge fan, Ansel Adams, once commented that the charm afforded by Eugene's works was in neither his technical skills nor the intriguing clothing styles, buildings or humanity in the images. Ansel was more enticed by the fair and friendly viewpoints through which Eugene saw the world around him.

R0016092 (Medium)
^The man nearest to the foreground is waiting for someone and the two question marks in the background seemingly suggest that he is wondering why his friends were late

Eugene's works, as Ansel put it, are the simplistic depictions of the reality by showing viewers the simplest appearance of his surroundings.

The simplistic but forceful, low-profile but detached protrayal of the objects in his works is the generic element in photography art. His influence has been far-reaching, especially seen in B&W works.

R0016094 (Medium)

Next time when you do your photographs, you may bear his examples in mind, espeically when you do B&W works. We may not be a frequent B&W shooter. But it is easy to feel the purer visual quality through the LCD screen in black and white. The decoloured images are the better vessels to emulate Eugene's simplistic interpretation of the world.

R0016089 (Medium)
^Commuting at a time of human swine flu outbreak

Tomorrow, we will continue this series with another photography master.

Comments

Popular posts from this blog

A Real Hero

(Grip On Reality: This photo was taken on my way to work.  I was walking past trucks parking on a cul-de-sac when the ropes caught my attention.  The light was right, the colour was right and the criss-crossing pattern was perfect and I held up my GX200.  People passing by checked me out and wondered what could be made out of such a boring scene.  To me, the fun in photography is that the photographer makes something interesting out of what is not obvious to most at the scene.  The ropes tied in knots somehow reminded people I know who are in the grip of the recession) You must have also known a friend or two, or even yourself, being baffled by the spiral downturn of the economy.   Bank went bankrupt and the rich was faced with a shrinking wealth.  A friend of mine has just had his salary cut by over 10% and some of his colleagues started to be shed. But, wait. Was this done really for the sake of continuing the business? Or is there a factor or greed in it?  I wonder whether the

New Low Prices

The window shopping some hours ago has almost provoked my AgIDS illness.  Just in case you’re in Hong Kong or are coming here, and have the money to burn (All in HK$/ body only): GX200 = $3,280 GRD2 = $3,380 LX3 = $3,180 G10 = $3,280 Prices are available form a gear shop on the 1st floor of the Mongkok Computer Centre.   Besides these new low prices, I found that Wing Shing Photo (55-57Sai Yeung Choi St., MK Tel: 2396 6886/ 91-95 Fa Yuen St., MK  Tel: 2396 6885) is offering a Sony A700 + Carl Zeiss Lens package for HK$9,980 (hopefully, a bargain will make it some hundreds cheaper).

Eye Contact

(Leica D-lux 5) The digital era may make it easier to end up with fave shots. Even lousy photos may be turned likable after a few clicks in the post-processing workflow. But if digital advancement or amendments have any bearing on the cultivation of personal style, no photographers will need to discover his or her own photographer’s eye. Undoutedly, this is out of the question. Only with a trained photographer’s eye can we give a thinking gaze and capture an eternal moment, in our unique style. Style is the soul of a great photo. A few posts have been written in GXG to touch on the topic of photographer’s eye. Instead of finding an answer, which would require academic discussions, the posts are intended to give my general reflections and spark interests in moving towards further exploration of the topic.  The posts can be viewed after the links: 1) Photographer's Eye: Storytelling 2) Photographer's Eye: Little Show of Observing 3) Photographer's Eye: Sight-Worthy 4