We all know something about covering or curtailing or blurring the background to give more juice to or accentuate the focus of the theme in an image. But we could do more or less the same to the foreground, which, apart from bestowing the image with extra information to make the story richer and more “chewy”, can as well be used to frame the primary subject. The tip is to be choosey on what elements to use for the foreground. It will work best if the elements are related to the primary image in a way that they echo with the latter in substance. Today’s shot can hopefully be taken as an example. The foreground give the viewers sufficient and, to me, interesting information to make sense of what the chef was chopping even though what is on the chopping board (or log actually?) is hidden behind the metal utensil. I think the cooked whole chicken hanging in the foreground make a unique frame which works to move the viewers’ eyes to explore the image longer from corner to corner. At least, with such a foreground, the image is not bland as in the case without it.
(Ricoh GR) In their own unique style, the squatting Mainland Chinese tourists have become an eyesore a common sight in the usually narrow walkways around the more busy areas in Hong Kong since the r eturn of Hong Kong's sovereignty to China (Editor-in-chief's note: Officially banned phrase for political incorrectness) Chinese Communist Party resumed sovereignty over the city. Hordes of the likes are too generous in their estimation of either the width of the sidewalks or the number of people passing by them, so stretching out an array of luggage cases in a disarray fashion for making rearrangement or taking a recess never seems to be too unedifying a bother to them. No location can dampen their determination in doing so, not even if it is right at a shop front, which is a somehow laudable national quality potentially in a positive way. Well, there are always two sides of a coin. Through the artistic eye of a photographer, can't these scenes be reproduc...
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