We are nearly the end of the GXR field report series. I wish to talk about the external options for the GXR, namely, the flashgun and the viewfinder.The external flash named, well, GF-1 can do TTL flash on Ricoh cameras with the flash interface as illustrated below, which Ricoh called Type R. It can also be used on other Ricoh cameras which have no TTL-flash capability like the GX200.When the TTL-A LED is on after the flash has been mounted and turned on, it is ready to do TTL flash.A few presses on the lower rectangular power level select button will light up the last two LEDs on the far right, activating the manual flash output via adjustment on the GXR.The flashgun can turn upwards up to 90°for doing bounce flash but not sideways. It can double as a wireless slave flash. For that matter, it comes with a stand. I have read through the instruction manual but can't find the clue as to whether in slave mode it will automatically distribute the flash output between the main/ t…
The M module may better be described as a far-flung cousin to rather than an immediate member of the GXR family. When look closer, you may see that the whole point of the M module is not about a new GXR-system module – fact is, the concept of lens-sensor combination is completely forsaken here. It is more about taking advantage of the wide choice of high quality M mount lenses.
In this post, we will look at the lens on loan to us: the Voigtländer Nokton 35mm F1.2 ASPH II.
Although Leica M-mount lenses are the best choice for optical performance, they are not just everyone’s option pricewise. With a lower price tag and great optical performance, Voigtländer lenses are sensible substitutes. Hong Kong’s sole dealer of Ricoh cameras, Laikok, is also the distributor of Voigtländer lenses (manufactured by Cosina of Japan) in Hong Kong. For information about the Voigtländer lenses available from Laikok, check this out. You may also check out Cosina’s Voigtländer webpage.
The digital era may make it easier to end up with fave shots. Even lousy photos may be turned likable after a few clicks in the post-processing workflow. But if digital advancement or amendments have any bearing on the cultivation of personal style, no photographers will need to discover his or her own photographer’s eye. Undoutedly, this is out of the question. Only with a trained photographer’s eye can we give a thinking gaze and capture an eternal moment, in our unique style. Style is the soul of a great photo. A few posts have been written in GXG to touch on the topic of photographer’s eye. Instead of finding an answer, which would require academic discussions, the posts are intended to give my general reflections and spark interests in moving towards further exploration of the topic. The posts can be viewed after the links: 1) Photographer's Eye: Storytelling
2) Photographer's Eye: Little Show of Observing
3) Photographer's Eye: Sight-Worthy