Skip to main content

Frame Your Shot

R9353052L (Ricoh GX200)

You can frame your shot with a photo frame and hang it on the wall.  But that's not what concerns us here. There are different ways to frame a shot – your composition. The least people talk about is to make believe that the four margins physically confine the subjects in the image.  For example, in today's shot, the author made use of the horizontal line to be the  track for the bike to run on. The effect can be more intriguing and powerful for, say, an image to show a subject pushing the right margin as if pushing a wall; or a subject pretending to climb or crawl into the framed area.

The purpose for doing this depends on the particular theme and goal for the shot. Here the author just wishes the bike, apart from being the primary subject, to give a steady balance in the image against the cluttered, "heavy" background. The bike running on the lower margin as a track acts as a visual paper-weight to steady the overall composition. Imagine the bike being in the mid-field and you will certainly find the final image seemingly tilting backward.

Comments

r i c k y l i said…
you are one true ricoh fans : D
Nevin said…
That's true. Maybe also a fan of utilising a camera ;]

Thanks for visiting, Ricky.

Popular posts from this blog

A Real Hero

(Grip On Reality: This photo was taken on my way to work.  I was walking past trucks parking on a cul-de-sac when the ropes caught my attention.  The light was right, the colour was right and the criss-crossing pattern was perfect and I held up my GX200.  People passing by checked me out and wondered what could be made out of such a boring scene.  To me, the fun in photography is that the photographer makes something interesting out of what is not obvious to most at the scene.  The ropes tied in knots somehow reminded people I know who are in the grip of the recession) You must have also known a friend or two, or even yourself, being baffled by the spiral downturn of the economy.   Bank went bankrupt and the rich was faced with a shrinking wealth.  A friend of mine has just had his salary cut by over 10% and some of his colleagues started to be shed. But, wait. Was this done really for the sake of continuing the business? Or is there a factor or greed in it?  I wonder whether the

New Low Prices

The window shopping some hours ago has almost provoked my AgIDS illness.  Just in case you’re in Hong Kong or are coming here, and have the money to burn (All in HK$/ body only): GX200 = $3,280 GRD2 = $3,380 LX3 = $3,180 G10 = $3,280 Prices are available form a gear shop on the 1st floor of the Mongkok Computer Centre.   Besides these new low prices, I found that Wing Shing Photo (55-57Sai Yeung Choi St., MK Tel: 2396 6886/ 91-95 Fa Yuen St., MK  Tel: 2396 6885) is offering a Sony A700 + Carl Zeiss Lens package for HK$9,980 (hopefully, a bargain will make it some hundreds cheaper).

Eye Contact

(Leica D-lux 5) The digital era may make it easier to end up with fave shots. Even lousy photos may be turned likable after a few clicks in the post-processing workflow. But if digital advancement or amendments have any bearing on the cultivation of personal style, no photographers will need to discover his or her own photographer’s eye. Undoutedly, this is out of the question. Only with a trained photographer’s eye can we give a thinking gaze and capture an eternal moment, in our unique style. Style is the soul of a great photo. A few posts have been written in GXG to touch on the topic of photographer’s eye. Instead of finding an answer, which would require academic discussions, the posts are intended to give my general reflections and spark interests in moving towards further exploration of the topic.  The posts can be viewed after the links: 1) Photographer's Eye: Storytelling 2) Photographer's Eye: Little Show of Observing 3) Photographer's Eye: Sight-Worthy 4