(Camera: Ricoh GX200)
The buildings in this shot of lines of skyscrapers in silhouettes are, in fact, not as much the main subjects as an incidental excuse for effects of light and shadows; and in the case, of shape. The usual image of those buildings lit up in a riot of colours are simplified dramatically – a gradually fleeting traces of bluestone-colour shapes parting the hazily pinkish sky and patches of glistering light in the expense of water. The light struggling through the mist creates the focus of the shot, fusing every element in the frame into a romantic and impressionistic tone of beauty.
This shot, to me, is reminiscent of Claude Monet's "London, Parliament" (1904) which shows a change of style from dab-like brushmarks of his typical Impressionist manner. In "London, Parliament", the brushstrokes seem to shine through and obscure one another at the same time.
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