Skip to main content

Before We Can...

R0011968 (Medium)

...do better, we have to know why we're doing what.

I just approached my housemaid with a weird question when she was ironing clothes, "What is the meaning to life while you're ironing the clothes?"

She was baffled, busying with her work on hand and beaming an embarrassed smile.

"There are many answers to this. They are not either correct or wrong. There is no model answer," I expounded to give her some hints, " You may put your answer this way or that. You can have your own thinking."

"Then," she said in an uncertain voice, "is it to make a living?"

I accepted her answer but gave my view that she might put more philosophical substance in her answer. I went on to explain to her that her answer didn't fit in a lot of situations like he meaning of life was while I was taking a photo.

Well, making money could be a good answer.

R0011964 (Medium)

Everyone can have an unique answer. What's important is that when we don't know why we are doing what we do, chances are that we won't excel in our work, to say the least. We'll be bored of it before we know it. Give a reason to your life, and it will feel blissful short; otherwise, everything just feels excruciatingly long.

This mindset is absolutely applicable to photography. If you don't know why you are shooting what, your photos just lack punch in them. Yes, you may still come up with some keepers, but they are more by luck than by knowledge.

So, the other day when I saw some photographers with 300mm-lens-mounted DSLRs engrossed in shooting some toy car models the size of a backpack, I was curious about the meaning of what they were doing. Did they really know it?

This is not about knowing just the theme of your photos, but a higher scheme of things like: know why you do this theme.

If those photographers could answer it, surely they would not have acted like using a chopping knife to spread butter on a piece of bread – dead wrong!

Photography can be purely for fun. But at the core of it, you have to know why you are doing it. Then you can choose to do it just for fun.

Of course, everyone has an unique answer to this too. They can as well define photography as buying new cameras before figuring out the NR on-off button of their last camera.

(My answer to the question for the housemaid is "to serve".)

Comments

Popular posts from this blog

New Low Prices

The window shopping some hours ago has almost provoked my AgIDS illness.  Just in case you’re in Hong Kong or are coming here, and have the money to burn (All in HK$/ body only): GX200 = $3,280 GRD2 = $3,380 LX3 = $3,180 G10 = $3,280 Prices are available form a gear shop on the 1st floor of the Mongkok Computer Centre.   Besides these new low prices, I found that Wing Shing Photo (55-57Sai Yeung Choi St., MK Tel: 2396 6886/ 91-95 Fa Yuen St., MK  Tel: 2396 6885) is offering a Sony A700 + Carl Zeiss Lens package for HK$9,980 (hopefully, a bargain will make it some hundreds cheaper).

Final Verdicts: GF2 in Action

(The rest of the GF2 review posts can be found here ) It is widely believed that the GF2 is a paradoxical downward-upgrade version of the GF1. So, after all the discussions of its bells and whistles, how does it perform in reality? First things first. Which or what kind of cameras should we measure the GF2 against for that matter? We believe that potential buyers of the GF2, maybe except for serial fad chasers and the diehard loyalists, are attracted by its smallness in size with a larger sensor to achieve better image quality, especially at ISO 800 or above. However, given the less satisfactory handling with for example just one dial, the GF2 cannot assume the place of a primary camera. Put together, these assumptions suggest that the GF2 is more suited to be used as a backup camera for social and street shots. Let's grill the GF2 on this basis. In the Hand An obvious merit of the GF2 is size. It feels much less bulky in the hand than the GF1 or the NX100, and just lik...

Dressing Up

(Camera: Ricoh GX200) On the street, a group of Chinese tourists are waiting for probably pick-up. With oblivion to the surrounding, this man changes his vest for an unknown reason to the author taking the opportunity to do a snap shot of the scene of an indecent taste.  The increasingly common sights, or eyesores considered by some, of people squatting in front of shops or in the thoroughfares, together with more billboards written in simplified Chinese, seem to push this international city towards the Chinese characteristics of the Mainland cities. The other day when the author visited the the aquarium and panda's home in the Ocean Park, there were, among the swamps of tourists, conspicuous signs saying, "Keep Quiet" and "Don't Use Flash".  The management of the Park has obviously deployed a much bigger troop of attendants to carry the signs around. On one occasion, one of those attendants was so annoyed that she went up to a tourist and made a big long...