With the habit of photographing whenever an opportunity presents itself, I have likely sharpened my photographer's eye. Possibly because of this, I was able to notice and feel captivated by the melancholy look in this man's empty gaze as I moved quickly past him. It was as if he was making some trouble go away from his mind. I was with my camera ready while walking, as always, and snapped the shot at a high ISO number. The grains go right with the mood of the subject and the scene overall. The pole on the left and the street furniture (the metal box) on the right margin can be taken together to reflect or represent the isolation he was in, which is also accentuated by the contrast of the busy and lit-up background. It is always exceptionally touching to look at the sad face of a man than that of a woman as it is like the melting of a symbol of adamancy and it feels ultimate and irreversible. Which reminds me of this song:
(Ricoh GR) In their own unique style, the squatting Mainland Chinese tourists have become an eyesore a common sight in the usually narrow walkways around the more busy areas in Hong Kong since the r eturn of Hong Kong's sovereignty to China (Editor-in-chief's note: Officially banned phrase for political incorrectness) Chinese Communist Party resumed sovereignty over the city. Hordes of the likes are too generous in their estimation of either the width of the sidewalks or the number of people passing by them, so stretching out an array of luggage cases in a disarray fashion for making rearrangement or taking a recess never seems to be too unedifying a bother to them. No location can dampen their determination in doing so, not even if it is right at a shop front, which is a somehow laudable national quality potentially in a positive way. Well, there are always two sides of a coin. Through the artistic eye of a photographer, can't these scenes be reproduc...

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