Skip to main content

A Photographer’s Perennial Doubt

Nevin_20160509_L1011645(Leica X1)

If the camera industry and in fact the whole photographic community had been all the trees in the garden, what could be the photographers’ perennial doubt as the nourishment other than the constant wondering of when the non-existent best camera would be here on earth?  Notwithstanding the lack of preciseness in the question asked, the doubt itself is the fuel that has kept the history of photography going in a big way.

So to contribute to the course of that history, and hence the development of humanity, I have recently been wondering if it is high time for me to make a proper upgrade to hopefully the Leica system.

Nevin_20160523_GR006366(Ricoh GR)

The Ricoh system was my first sortie into the digital photographic era as I evolved from what the quantum leap in digital photography has made it seemed the medieval film period.  I still keep the the historical relic, the Minolta Dynax 7 (film) for its sentimental value to me though.  Kudos to the Ricoh GX200 designed with photographers in mind, it had left me with lots of keepers before I sold it to get the GR4 and then the GR.  The GR has since been my trusty daily companion.  Very sharp lens.  Image quality amazing.  Haptics-wise excellent.  The only gripe is that it is not with a FF sensor.  I know, it would have make it bulky in that case.

Nevin_20151027_L1050295(Leica D-lux 5)

But then there have been times when I really wish the camera is fitted with a full frame sensor, especially when I discover some very agreeable images made with it on the computer screen at the end of the day.  It was this reason why the Leica D-lux is now mainly for ornamental value sitting in my camera cabinet, and why the special edition white GR4 was sold in less than a year after I bought it.  Instead I got the GR to replace its daily companion’s role.

001447_2015_January[2](Ricoh GR)

Granted, Leica costs a premium for every single addition to the system.  But there is nothing like Leica.  The image quality and the color rendition are uniquely pleasing to most eyes.  It is widely argued that for reason of the CCD senor the Ms after the M9 are too digital and for want of the film feel in the images that are signature in M8, 8.2 and 9.  I can understand that for the GR’s images initially looked too clean to me compared to those from the previous model so much so that the grainy feel in the images are lost.  If that is also the case for the newer Ms, there are only two ways forward for the upgrade, which are either getting a used M8, 8.2 or 9 (the price difference compared to the 9 is too steep to make it justified for a sane choice IMHO) or laying my hands on the Q which is a better digital Leica, skipping the 240 and the 262 for now.

Comments

Popular posts from this blog

Comrades, Arise!

 (Ricoh GR) In their own unique style, the squatting Mainland Chinese tourists have become an eyesore a common sight in the usually narrow walkways around the more busy areas in Hong Kong since the r eturn of Hong Kong's sovereignty to China (Editor-in-chief's note: Officially banned phrase for political incorrectness) Chinese Communist Party resumed sovereignty over the city. Hordes of  the likes are too generous in their estimation of either the width of the sidewalks or the number of people passing by them, so stretching out an array of luggage cases in a disarray fashion for making rearrangement or taking a recess never seems to be too unedifying a bother to them. No location can dampen their determination in doing so, not even if it is right at a shop front, which is a somehow laudable national quality potentially in a positive way. Well, there are always two sides of a coin. Through the artistic eye of a photographer, can't these scenes be reproduc...

Final Verdicts: GF2 in Action

(The rest of the GF2 review posts can be found here ) It is widely believed that the GF2 is a paradoxical downward-upgrade version of the GF1. So, after all the discussions of its bells and whistles, how does it perform in reality? First things first. Which or what kind of cameras should we measure the GF2 against for that matter? We believe that potential buyers of the GF2, maybe except for serial fad chasers and the diehard loyalists, are attracted by its smallness in size with a larger sensor to achieve better image quality, especially at ISO 800 or above. However, given the less satisfactory handling with for example just one dial, the GF2 cannot assume the place of a primary camera. Put together, these assumptions suggest that the GF2 is more suited to be used as a backup camera for social and street shots. Let's grill the GF2 on this basis. In the Hand An obvious merit of the GF2 is size. It feels much less bulky in the hand than the GF1 or the NX100, and just lik...

New Low Prices

The window shopping some hours ago has almost provoked my AgIDS illness.  Just in case you’re in Hong Kong or are coming here, and have the money to burn (All in HK$/ body only): GX200 = $3,280 GRD2 = $3,380 LX3 = $3,180 G10 = $3,280 Prices are available form a gear shop on the 1st floor of the Mongkok Computer Centre.   Besides these new low prices, I found that Wing Shing Photo (55-57Sai Yeung Choi St., MK Tel: 2396 6886/ 91-95 Fa Yuen St., MK  Tel: 2396 6885) is offering a Sony A700 + Carl Zeiss Lens package for HK$9,980 (hopefully, a bargain will make it some hundreds cheaper).