In between the time of slacking off a bit and spending much leisure time on photo contests, I went to Daido’s exhibition on its last day in town yesterday morning. Not all the images on display are his best but they are invariably filled with the style and taste one will know distinctive about Daido’s works. The one prominent thing about the master’s shots is that the image quality, hence the grade of camera or lens, is virtually irrelevant. Not even the photographic skill. The gem is in the idea and theory the creator has in every single recorded scene through his eye. The coarseness, imperfection and split-moment impulse are conspicuously flowing in the mastery shots – we all know that Daido celebrates imperfect images, don’t we?
(Ricoh GR) In their own unique style, the squatting Mainland Chinese tourists have become an eyesore a common sight in the usually narrow walkways around the more busy areas in Hong Kong since the r eturn of Hong Kong's sovereignty to China (Editor-in-chief's note: Officially banned phrase for political incorrectness) Chinese Communist Party resumed sovereignty over the city. Hordes of the likes are too generous in their estimation of either the width of the sidewalks or the number of people passing by them, so stretching out an array of luggage cases in a disarray fashion for making rearrangement or taking a recess never seems to be too unedifying a bother to them. No location can dampen their determination in doing so, not even if it is right at a shop front, which is a somehow laudable national quality potentially in a positive way. Well, there are always two sides of a coin. Through the artistic eye of a photographer, can't these scenes be reproduc...
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