Skip to main content

Manipulating Temperature

SAM_2580L(Camera: Samsung WB600 with Incandescent Lamp WB)

If you always believe that the white balance settings are primarily for enabling a digital camera to render a scene correctly, you are downright mistaken. And you have missed lots of otherwise keepers too.

Digital cameras these days can perfectly gauge the lighting for the "desirable" white balance setting. While this spares photographers the trouble to manually tweak the white balance, the downside is that the final image may simply fall flat when the environmental lights and therefore colours in the actual scene are but boring.

So, here are the author's usual ways to make better use of the white balance settings

- Use the Incandescent Lamp (usually indicated by a light-bulb icon) setting to add a bluish cast to the image for a sense of calmness or coolness which, if expressed in Kelvin Scale, is in the range of 7,000 to 11,000k.

- This works best for night scenes. 

SAM_2576L(WB600 with Cloudy WB at midday)

- Use the Cloudy WB to give the image an overall warmer feel. The colours will even look richer. This trick works best if you are shooting outdoors around midday when everything on earth looks pale. Left on AWB, your camera will reproduce images in exactly the same paleness.

- People not knowing the trick will think that the images taken on Cloudy WB were done in the early morning or early evening. Try it at a swimming pool and the colour of the final images may surprise you.

- Actually, some photographers leave the WB setting on Cloudy all the time. This is comparable to using a 81A or 81B colour corrective filter to warm the bluish tone.

- If you are not sure about whether this will work the way you want, shoot in RAW so that you can have the leeway to do the post-processing as the WB is not "locked-in" in RAW images.


Comments

Popular posts from this blog

New Low Prices

The window shopping some hours ago has almost provoked my AgIDS illness.  Just in case you’re in Hong Kong or are coming here, and have the money to burn (All in HK$/ body only): GX200 = $3,280 GRD2 = $3,380 LX3 = $3,180 G10 = $3,280 Prices are available form a gear shop on the 1st floor of the Mongkok Computer Centre.   Besides these new low prices, I found that Wing Shing Photo (55-57Sai Yeung Choi St., MK Tel: 2396 6886/ 91-95 Fa Yuen St., MK  Tel: 2396 6885) is offering a Sony A700 + Carl Zeiss Lens package for HK$9,980 (hopefully, a bargain will make it some hundreds cheaper).

Mini Review of GRD II by Colin Bradbury

Today, we are going to learn some useful insights from Colin Bradbury in his mini review of the GRD II. Colin is a professional photographer stationed in Hong Kong. Photos are copyrighted to him. (St Agnes, Cornwall. 'Environmental' portrait) By COLIN BRADBURY: Just back from 2 weeks in rural England with the family over Christmas. Since this was a family holiday and not a photography trip I wanted to travel light. On that basis I left my DSLRs at home and took the GRDII as my only camera to save weight but also to see how useful it would be as the only camera in a variety of photographic situations. I have to say I was very pleased with it and didn't miss having a zoom or longer lens at all. The 28mm is a perfect single focal length and proved itself useful in a variety of situations. Landscapes are clearly well suited to the 28mm but less obviously I have also found it to be great for portraits. With a 28mm you are forced to do 2 things. First, to get in closer ...

Respite

(Ricoh GRD4) Yahoo! I found the invoice for the GRD4 and sent it to the dealer for repairing the malfunctioning manual focus, which rendered the snap mode totally useless.  I hope it will be soon for the GRD4 to be up and about.